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cleanzero
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Post by cleanzero »

Image

Is this the most active Feldman's work or is it just this Tzadik version?
"Before you play two notes learn how to play one note - and don't play one note unless you've got a reason to play it." - Mark Hollis (1998)

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kristop
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Post by kristop »

grisha wrote:
Salty Swift wrote:
matinee wrote: i've torn the roof off with that before for sure.
Yeah - I've got that one, along with another 5 or 6 of the Lathandies series, or whatever it was called.
Worth the money if only for the gorgeous etching on the second [non-playable] side.
My personal favourite from that series is Fahey and San Agustin.
yeah i have that one. the etching got glued to the plastic envelope, and of course, like all picture LPs it has more surface noise than any normal LPs i have, at least new ones (and many older ones, too), because these lousy envelopes are obviously not enough to protect them. and then they don't look any better than normal cardpoard envelopes. i mean, what does is matter if the art is on LP itself or the package? i'll take jessica rylan's "new secret" as an exception, and even that i'd much prefer in regular packaging. in short, i hate picture LPs. people should stop putting them out.

sorry for the rant.
it's true, picture discs are crap, why not just put out a flexi disc. i must however correct you guys, the lanthidine LPs aren't etched, but silkscreened. etching would be carved into the vinyl with no ink of a different color to come off on the plastic sleeve. great series though, i'm glad i bought all of them.

user_3068

Post by user_3068 »

just finished -
James Blackshaw - Celeste.
Sir Richard Bishop - Salvador Kali

Now listening to -
Kieran Hebden and Steve Reid - The Exchange Sessions Vol. 1 and 2

user_294

Post by user_294 »

analord and tuss tracks over and over

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Salty Swift
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Post by Salty Swift »

Yi wrote:Image

the guitar & sax duo, sounds pretty good.

who's company ufkc?
i've downloaded files from that guy.

Have you heard Jim Denley's other releases?
Equally as great as this one.

Yi - please PM me with regards to musical events worth checking out in Seoul between May 21 and second week of June and during the first three weeks of July.
"A little older, a little more confused"

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fearandpanic
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Post by fearandpanic »

cleanzero wrote:Image

Is this the most active Feldman's work or is it just this Tzadik version?
Well, you didn't include the title so people could see what it was. I'm guessing it's Patterns in a Chromatic Field. It's not as sedate as most later Feldman.

And I don't know about "active," it's an unfortunate way of thinking about it. Try some of his music from the 50s and 60s. (Whatever happened to other ways of thinking about composed music, like its melodic, harmonic, and rhythmic language? As if it's all just so much undifferentiated "activity" or "gesture" that can be charted in terms of more or less.)

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cleanzero
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Post by cleanzero »

fearandpanic wrote:
cleanzero wrote:Image

Is this the most active Feldman's work or is it just this Tzadik version?
Well, you didn't include the title so people could see what it was. I'm guessing it's Patterns in a Chromatic Field. It's not as sedate as most later Feldman.

And I don't know about "active," it's an unfortunate way of thinking about it. Try some of his music from the 50s and 60s.
Yes, it's "Patterns...", and I forgot to write the title. I wrote active just because it sounds very different from the other things I've heard. I think there are other releases of this work (like the one on HatHut) so I was wondering if they sound different from this one. However I like it a lot.
"Before you play two notes learn how to play one note - and don't play one note unless you've got a reason to play it." - Mark Hollis (1998)

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Richard Pinnell
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Post by Richard Pinnell »

cleanzero wrote:Yes, it's "Patterns...", and I forgot to write the title. I wrote active just because it sounds very different from the other things I've heard. I think there are other releases of this work (like the one on HatHut) so I was wondering if they sound different from this one. However I like it a lot.
Patterns... is great, and I know what you mean by "active", there is certainly more variation in that piece than much other Feldman.

The Hat version is my favourite, its slower, quite a lot slower, a good twenty minutes if I remember correctly, though the Tzadik is a nice recording too.

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Salty Swift
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Post by Salty Swift »

Richard Pinnell wrote:
cleanzero wrote:Yes, it's "Patterns...", and I forgot to write the title. I wrote active just because it sounds very different from the other things I've heard. I think there are other releases of this work (like the one on HatHut) so I was wondering if they sound different from this one. However I like it a lot.
Patterns... is great, and I know what you mean by "active", there is certainly more variation in that piece than much other Feldman.

The Hat version is my favourite, its slower, quite a lot slower, a good twenty minutes if I remember correctly, though the Tzadik is a nice recording too.
From what I recall the hathut version of Patterns is more like 50 minutes in length, broken up into two sections across two CDs.
One of my favourite Feldman pieces by far.
"A little older, a little more confused"

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jon abbey
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Post by jon abbey »

Salty Swift wrote:From what I recall the hathut version of Patterns is more like 50 minutes in length, broken up into two sections across two CDs.
One of my favourite Feldman pieces by far.
no, it's 105 minutes on the Hat Art version, 80 on the Tzadik. agreed that I prefer the Hat Art, and also that it's maybe my favorite non-Tilbury Feldman recording, and that the Tzadik version is also pretty good (I played the latter as intro music for Dion Workman's solo set at the first ErstQuake, he was pretty into it).

comprehensive Feldman discography here:

http://www.cnvill.demon.co.uk/mfdiscog.htm" onclick= "window.open(this.href);return false;

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Salty Swift
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Post by Salty Swift »

jon abbey wrote:
Salty Swift wrote:From what I recall the hathut version of Patterns is more like 50 minutes in length, broken up into two sections across two CDs.
One of my favourite Feldman pieces by far.
no, it's 105 minutes on the Hat Art version, 80 on the Tzadik. agreed that I prefer the Hat Art, and also that it's maybe my favorite non-Tilbury Feldman recording, and that the Tzadik version is also pretty good (I played the latter as intro music for Dion Workman's solo set at the first ErstQuake, he was pretty into it).

comprehensive Feldman discography here:

http://www.cnvill.demon.co.uk/mfdiscog.htm" onclick= "window.open(this.href);return false;

What I meant Jon is the hathut version is split into two 50 minute pieces....50 + 50 = 100 minutes or so.
"A little older, a little more confused"

michael
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Post by michael »

Image

"tote big guns like i still play contra"

user_4716

Post by user_4716 »

Image

Thomas Koner - Unerforschtes Gebiet

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tristan
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Post by tristan »

This Heat - This Heat

For some reason, I've never listened to this until now. I've had it for more than a year, but just never listened to it, I think because of some weird and completely unsupported preconception I had about what it would be like. Anyway, it's sweet so far. So much stuff going on.

Now I'm off to get Deceit.

user_3068

Post by user_3068 »

I've been listening to some Bonnie Prince Bootlegs today.

user_548

Post by user_548 »

Lichens - The Psychic Nature of Being

man that repeated high pitched note in the last track is not conducive to studying.

user_4652

Post by user_4652 »

mecha/orga :

56:24 Absurd, February 2007
Holder Absurd / a question of re_entry, March 2006
A Man Behind The Door echomusic, June 2005
Float echomusic, October 2004
Image
Image
Image
Image

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Fourier Transform
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Post by Fourier Transform »

IHM Olives

There appears to be a problem with the first track, though - it's just silence, occasionally punctuated by crackles. Maybe the mp3 is corrupt?

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Post by user_19 »

kristop wrote:[it's true, picture discs are crap, why not just put out a flexi disc. i must however correct you guys, the lanthidine LPs aren't etched, but silkscreened. etching would be carved into the vinyl with no ink of a different color to come off on the plastic sleeve. great series though, i'm glad i bought all of them.
I apologize for being vague on the details, but I read not too long ago that there is only one flexi disc pressing machine in North America, and that it is in need of repair. I guess Black Dice wanted to put their most recent single out on flexidisc to accompany the art book of the same name, but were unable to due to this situation.

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Salty Swift
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Post by Salty Swift »

vice wrote:Image

Thomas Koner - Unerforschtes Gebiet
I love this album to death!

Is this still in print??

Very intense aural adventure :shock:
"A little older, a little more confused"