Goh Lee Kwang | Julien Ottavi Pukul Berapa?

[gohleekwang]

Supporting the up coming tour, our new recording.


Goh Lee Kwang | Julien Ottavi
Pukul Berapa?

1. Berapa In Loop
2. Extra
3. Out Of Berapa
4. Pukul 1
5. Pukul 2
6. Pukul 3

Recorded in Kuala Lumpur - Malaysia & Nantes - France - between January and May 2015.
Mastering BruitBrutStudio - Nantes, France.
Creative Commons A-share a like international 2015

Goh Lee Kwang - no input mixing board
Julien Ottavi - TamTam (gong), Bass Drum and computer (Puredata & Apodio10)

http://www.gohleekwang.bandcamp.com/ | http://www.herbalinternational.blogspot.com/
http://www.noiser.org/ | http://fibrrrecords.net/

[gohleekwang]

In conjunction with the upcoming Europe tour June - July 2015, we have a special tour edition CD!


Goh Lee Kwang | Julien Ottavi
Pukul Berapa?

1. Berapa In Loop
2. Extra
3. Out Of Berapa
4. Pukul 1
5. Pukul 2
6. Pukul 3

Recorded in Kuala Lumpur - Malaysia and Nantes - France - between January and May 2015.
Mastering BruitBrutStudio - Nantes, France.
Creative Commons A-share a like international 2015

Goh Lee Kwang - no input mixing board
Julien Ottavi - TamTam (gong), Bass Drum and computer (Puredata and Apodio10)

Goh Lee Kwang
http://www.gohleekwang.bandcamp.com | http://www.herbalinternational.blogspot.com

Julien Ottavi
http://www.noiser.org | http://fibrrrecords.net

Audio CD, 4 panels digipak, Special Tour Edition
50 minutes+
Release date: May 2015
12 Euros + shipping

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Musically connected
Jason Kahn "Beautiful Ghost Wave"

Also by Goh Lee Kwang
2014 Findars (with Tim Blechmann)
2013 逆耳 New Ear
2011 反之亦然 _, and Vice Versa
2011 The Lost Testimony of Rashomon
2009 推敲琢磨Hands
2008 繪聲Draw Sound (Drawing book with 3"CD)
2007 Good Vibrations
2005 Punk Guitar... with bonus track!!
2005 DRONE (with Tim Blechmann)
2004 Internal Pleasures
2002 神經中樞Nerve Center

Also by Julien Ottavi
Juto Aviten:: water music#1

http://herbalinternational.blogspot.com ... erapa.html

[gohleekwang]

After the tour, now the recording is up on bandcamp:
https://gohleekwang.bandcamp.com/album/pukul-berapa

[gohleekwang]

Vital Weekly
the disc by label boss Goh Lee Kwang and Julien Ottavi. The first plays 'no input mixer' and the latter TamTam, bass drum and a computer running Puredata and Apodio 10. As you can imagine this brings improvisation to another, more electronic level. Not unlike Stockhausen's 'Mikrophonie I', the TamTam and bass drum might be to not just sound but also trigger events that occur on the computer. The more high-end feedback like sounds of Goh Lee Kwang's no-input mixer work quite well with the computer processed versions of the very low-end sound the two acoustic instruments produce. All of this not sounding at all like something Stockhausen would have produced; obviously. I believe the six pieces on this release have been recorded in various concerts and maybe received some final treatment later on. These six pieces last about seventy minutes and that is perhaps quite long to go through in one round of listening, even when the pieces have a fine variation to them. When things are less squeaky and noise and the emphasis goes towards playing the TamTam/bass drum triggered by the sounds coming in from elsewhere, I very much enjoy this, such as in 'Out Of Berapa', which is the most drone-like affair of the disc. These act as warning signals from afar and has a great subdued quality to it. Also 'Pukul 3' has a delicate vibrancy about it. I am less fond of the more noisy pieces, such as the short 'Extra', which may be a bit superfluous. This would have been certainly something to see in concert!
- Frans De Waard -

Audio CD, 4 panels digipak, Special Tour Edition
50 minutes+
Release date: May 2015
12 Euros + shipping

http://herbalinternational.blogspot.com ... erapa.html

[gohleekwang]

【Le Son Du Grisli】
Un premier crépitement et l’affaire éclate : duo de noisers – d’un noise qui cherche davantage à mettre la main sur quelques sons neufs qu’à abasourdir – que sont Goh Lee Kwang (no-input mixing board) et Julien Ottavi (percussions, ordinateur), enregistré – non pas par correspondance, malgré la question posée dans le titre : « Quelle heure est-il ? », en Indonésien – entre janvier et mai 2015.
Ainsi les « chants minuscules frappés de frénésie expressionniste » du premier, décrits dans cette évocation d’And Vice-Versa, se voient-ils renforcés par l’usage que fait Ottavi d’un tam tam, d’une grosse caisse et d’un ordinateur. D’autres interférences s’expriment alors, qui soumettent l’électronique à la palpation ou au pincement et les percussions aux effets des résonances sur leurs timbres. De bordées en décharges, de crépitements en respirations et de ronflements en projections sifflantes, le duo compose des paysages bruitistes qui « roulent » puis se meuvent sur de grands plateaux en équilibre. Enfin, quand les deux sont à l’électronique, c’est pour s’approcher plus encore du chant des oiseaux.
- Guillaume Belhomme -