HOMOPHONI :: Richtlinien für Autorinnen und Autoren

[p_ano]

#static HOMOPHONI will no longer integrate first-order discourse in the continuous time domain. [#void homo059 - homo999] #return

#homophoni Demo submissions, proposals, and all other static descriptors will be ignored, and catalog numbers 059 through 999 are voided.

#homeophon-A: Richtlinien für Autorinnen und Autoren
#homeophon-A-1 Umfang des Manuskripts und Modalitäten der Einsendung
#homeophon-A-1.1 Forschungsbeiträge Ein Forschungsbeitrag umfasst i. d. R. nicht mehr als 45.000 Zeichen (einschließlich Leerzeichen)
#homeophon-A-1.2 Ein Forschungsbeitrag kann jederzeit unaufgefordert in einem üblichen Textverarbeitungsformat an die Herausgeberin
#homeophon-A-1.3 Bitte stellen Sie eine Zusammenfassung (Abstract) in deutscher und englischer Sprache voran.
#homeophon-A-1.4 Die Abstracts sollen 1200 Zeichen einschließlich Leerzeichen nicht überschreiten.
#homeophon-A-1.5 Die englische Fassung muss erst vorgelegt werden, wenn ein Forschungsbeitrag endgültig zur Veröffentlichung angenommen ist
#homeophon-A-1.6 Forschungsbeiträge werden einer externen anonymen Begutachtung unterzogen!
#homeophon-A-1.7 Debattenbeiträge Ein Debattenbeitrag umfasst i. d. R. nicht mehr als 18.000 Zeichen (einschließlich Leerzeichen).

#homeophon-A/B/* [#ENG] To be considered for HOMOPHONI during homeomorphism, descriptors must be submitted in object-literal German

#homeophon-[#aeu] [#ENG] AEU alumnus are pre-integrated and may define Kirby Calculus when submitting descriptors for debate.

#homeophon-[#HOMO] [#ENG] Label alumnus are pre-integrated and may use #RAD moves when submitting descriptors for debate
#homeophon-[#HOMO]-#RAD-1: Twist and untwist in either direction.
#homeophon-[#HOMO]-#RAD-2: Move one loop completely over another.
#homeophon-[#HOMO]-#RAD-3: Move a string completely over or under a crossing.
#homeophon-[#HOMO]-#RAD-2-DEF Interactions in machines are causation rather than correlation.
#homeophon-[#HOMO]-#RAD-2.A Phenomena which machines can model should be phenomena in which the interactions are causal,
#homeophon-[#HOMO]-#RAD-2.B Causality is often viewed as being a time-related phenomenon, but this is not true.
#homeophon-[#HOMO]-#RAD-2.C Causality is order (orientation of vertices) as opposed to direction (orientation of edges)
#homeophon-[#HOMO]-#RAD-3 It must not melt away when we peer deeper into a system.

#AEU #Kirby #Calculus is essentially two moves: BLOW UP, and HANDLE SLIDE. The rest is ambiguous.

[p_ano]

I wanted to add a few additional notes of clarification in English, since I think the general response to this post has been "HUH?"

AEU members essentially get a free pass. The reason for this is because it is, in my opinion, the most exciting area of new improvised music and I want HOMOPHONI to reflect that.

I am not exempt from the new submission guidelines, and while I could go the AEU route, I will hold myself to the HOMOPHONI alumnus requirements. Since these requirements are the most confusing, I think it will be helpful to provide an example, and at some point in the next few months I will do so and post the process here. Hopefully this will help provide a template for other HOMOPHONI alumnus that would like to release in the future.

For everyone else, feel free to use Google Translate and while I do expect a 45,000 word document, the requirements for this document are ambiguous, so for all I care, you could simply cut and paste "Die Kunst und die Revolution"

Also, you are welcome to send to my email (davidkirby@homophoni.com) but it is unlikely that I will respond. I would much prefer that submission discourse be conducted in public so that it may be subject to peer review, so please post your ideas in this thread.

Lastly, upon approving the first submission, I will update the HOMOPHONI website design to new HTML5 standards (finally scrapping the old Flash player) yet I have no plans on changing the format or styling. New submissions will be assigned a new block of release numbers that has yet to be decided.

I hope this helps to give everybody a better idea moving forward, and please understand that I am doing this first and foremost to protect the aesthetic value of the pre-existing releases. The standards that worked 5 years ago and allowed me to release high quality music have changed. in 2013, it is just too easy to send a demo, and I get so many every week, that I simply can't with any confidence parse through the noise and find the truly special releases without requiring preliminary discourse.

[anasara]

wut

[faster]

Slow clap.

[Wombatz]

Auf jeden Fall hab ich jetzt einen Vorteil, ich weiß bloß noch nicht, wo der liegt.

[p_ano]

Auf jeden Fall hab ich jetzt einen Vorteil, ich weiß bloß noch nicht, wo der liegt.

Ich auch nicht.