from blit to bliss: the berlin modular story

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p_ano
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from blit to bliss: the berlin modular story

Post by p_ano »

greetings,

it's no secret that i've been bugged out on synthesizers recently, and this post is the culmination of that bugout--a happy ending to a very long journey. i hope that this topic is of interest to a few of you, and if not then i hope to spark that interest.

instead of going to the beach or getting laid, i spent my entire summer in front of a computer screen, experimenting with different methods of digitally modeling analog oscillators. i started with simple naive sine waves, and by the end of summer i had graduated to over-sampled band-limited impulse trains (BLITs), racing towards infinity (with feedback at 100%, naturally), burning up CPU like it was 1975, and cursing nyquist while the steam billowed out my leaky integrator. despite my progress, i still wasn't happy with the results. i wanted more feedback, more feedback, more feedback, and i wanted it to sound like a real circuit burning up. it turns out that i wasn't alone in this desire, and while i was merely identifying the problem, these guys were busy solving it ->

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yup, urs heckmann and company truly are the smartest guys in the room. their solution was comically simple, yet a stroke of genius and forethought. instead of solving the problem, they deprecated it, abandoning the digital domain completely. goodbye fast-fourier transforms, window functions, buffer sizes, and all the gimmicky 4am-druggy-coder-math that goes along with it. while the rest of us were seeing 'a view from the window', they had bulldozed the entire house.

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introducing PSpice, a circuit simulator first introduced in 1984, and quietly waiting for 2012. anybody who has ever tried to emulate a game system knows how much power it takes to emulate even very simple digital circuits, so the prospect of emulating solid-state circuits in real-time seems downright absurd. there are purists who would even consider this approach to be cheating. it is an unabashedly brute force approach, but brute force is the steam that powers life, and life is the inevitable endpoint of humanity's technological journey. bottom line, it works today, and the sound is undeniable. with that said, the technology is still a few months away from prime time, even pushing my overclocked 6-core processor to its limits. but next year we'll see tri-gate 22nm processors with unfathomable potential, and these processors will be able to emulate much more complex solid-state circuitry with ease, possibly even tubes themselves. by the holidays every kid on the block will have one.

this is, in my opinion, the most important technological paradigm shift since the advent of the microprocessor.

but don't take my word for it--hear it for yourself. u-he has released public alpha versions of two software synthesizers developed using this new technology, and they are quite impressive. a powerful system is needed--at least 4-cores, and 6-cores for any serious musical attempts. furthermore, these instruments will perform differently depending on your VST host, and might not work at all, so be prepared to be disappointed. also, do not bother the developer with ignorant or pedestrian problems, especially via email, and do not share this link elsewhere without proper introduction and disclaimer. if you do have any questions, or would like to submit a bug report, please register at kvraudio forums and post in the appropriate thread.



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DIVA - Beta 472 Dec 15th --> http://www.kvraudio.com/forum/viewtopic.php?t=302792



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Berlin Modular - Bazille 0.4 --> http://www.kvraudio.com/forum/viewtopic.php?t=258683

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Dohol
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Re: from blit to bliss: the berlin modular story

Post by Dohol »

!!!!!!!!!!!!!!!
“In a kind of middle-aged crisis, it dawned upon me that there was a possibility that music might not even be an art form.”

Morton Feldman


http://soundcloud.com/doug-holbrook

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p_ano
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Re: from blit to bliss: the berlin modular story

Post by p_ano »

i've done some side-by-side comparisons, configuring diva to mimic the functionality of my juno6 (dual DCO mode), and it's pretty damn close--especially when set to 'divine' mode. obviously there is still a point where aliasing occurs, but that point is far enough away that it doesn't deter experimentation and exploration. only a few more iterations of moore's law and that familiar digital threshold--the glitch in 'glitch'--will be beyond our perception. phew.

savantgarde
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Re: from blit to bliss: the berlin modular story

Post by savantgarde »

Thinking of buying Diva while the introductory price is still valid; not sure if Zebra might be a better fit though realistically, considering I'm no analogue obsessive. Diva's a helluva CPU hog I've found, when playing it polyphonically I'm limited to draft mode. I'll try to clock up my 3.4 GHz CPU soon, only installed my system recently...
Madness is madness is madness, and sadness too

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p_ano
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Re: from blit to bliss: the berlin modular story

Post by p_ano »

savantgarde wrote:Thinking of buying Diva while the introductory price is still valid; not sure if Zebra might be a better fit though realistically, considering I'm no analogue obsessive. Diva's a helluva CPU hog I've found, when playing it polyphonically I'm limited to draft mode. I'll try to clock up my 3.4 GHz CPU soon, only installed my system recently...
yeah, i'm still running the diva beta, and am planning on purchasing it when i have sufficient hardware. in the meantime, zebra2 is an excellent choice. it sounds amazing, can handle quite a bit of feedback, and has a vibrant community of users and contributors.

have you checked out the new patch bank by alexander hacke (einsturzende neubauten)? it's amazing. there's even a patch called "Issue Project" in the Brooklyn soundbank. !!!
New York City is the new patch bank for Zebra2 by Alexander Hacke, of the famous German post-industrial band Einstürzende Neubauten. Hacke’s work has influenced many musicians around the world, and the musical genre Industrial would certainly not be the same without him!

In this amazing patch collection, Hacke combines his love for New York City with his love for Zebra2. A musical hommage, a cinematic soundtrack that captures the flavor of various New York locations. Some sounds are playable chromatically, others tell an entire story within a single note. Some smirk at you ironically, others evoke the strangest of emotions. Always read the patch info, and always try the XY controls for extra expression!

For some this will be the ultimate synaesthetic guide to the Big Apple, for all others it will be the most unusual collection of individual sounds and loops they have ever heard from Zebra2.