
This is the Bailey I like...sixties..early-mid seventies..after Aida, well, I kind of lost interest.



7/4 wrote:
Giacinto Scelsi - The Piano Works 1
Giacinto Scelsi - The Orchestral Works 2
I saw your comment in another, old thread.Dohol wrote:7/4 wrote:
Giacinto Scelsi - The Piano Works 1
Giacinto Scelsi - The Orchestral Works 2
I really, really dig his writing for strings, but his piano stuff just..well.. it doesn't do it for me.
Frances Marie-Uitti is coming to town on Wednesday.7/4 wrote:
Giacinto Scelsi - The Piano Works 1
Giacinto Scelsi - The Orchestral Works 2



Jesse wrote:
All damn day.
Damon, Niwi, you must know this stuff?



Great stuff indeed. But in my opinion you're missing some treats if you ignore Bailey's later discs. Just sticking to solo recordings after Aida:Dohol wrote:
This is the Bailey I like...sixties..early-mid seventies..after Aida, well, I kind of lost interest.
Ha!simon reynell wrote:Great stuff indeed. But in my opinion you're missing some treats if you ignore Bailey's later discs. Just sticking to solo recordings after Aida:Dohol wrote:
This is the Bailey I like...sixties..early-mid seventies..after Aida, well, I kind of lost interest.
1985 - Notes (Incus LP, never re-issued as cd, incredibly)
1986/87 - Drop me off an 96th (Scatter cd)
1994 & 2001 - In Church (Incus cd-r)
1998 - Takes Fakes & Death She Dances (Incus)
2003 - To Play (Samadhisound cd)
2005 - Carpal Tunnel (Tzadik cd)
All of these discs have really beautiful pieces. OK, it was no longer so ground-breaking, but that doesn't make it less exquisite music.
After Bailey died I spent a month listening to nothing but his solo playing, and it was a great experience. For me he was a really formative musician; 'Lot 74' was the first improv record I bought as a teenager in 1974, and I followed his work ever since. And contrary to some opinions, he didn't stay still as a musician. Though his sound was recognisably his own 30-odd years on, his extraordinary openness to new collaborations & younger players kept his music fresh right to the end. I didn't like all his collaborations, but their unpredictability kept me on my toes. And, to return to the solos, IMO 'Carpal Tunnel' is as moving as any disc I can think of; I can hardly bear to play it. It is inseparable from its biographical context, and has a unique, forlorn beauty.




