I first heard this in my earlier teens, and it's among the first things I heard featuring a wild free jazzy saxophone... (Bernie Living, if I remember right without looking it up). This song made me go "boah" & buy the second LP of Chapter Three which I never really liked. But I still find there's something really fascinating about Travelling Lady.
Experimental music should be something that suggests a way of organizing your thinking, your attitude toward the world, which suggests that the world could be different.
Christian Wolff 2014
The 3 Nakamura/Henriksen tracks are really good. The rest of the tracks seemed OK. Henriksen is somewhere between Dörner and (hmm) himself, but judging from the sublime "Yura" (the last of the three tracks), he can go way beyond this. I hope he sticks around with this type of music.
Keith Rowe: The Room, Erstwhile Records, 2007. Mysterious, stark, sizzling, thrumming, majestically desolate, yet oddly personal, and IMO absolutely essential listening for any devotee of minimal electroacoustic experimental music.