I uploaded the whole thing here:Gil Sansón wrote:Hey, I would love to hear that!
http://ihatemusic.noquam.com/viewtopic. ... 67#p250867
I uploaded the whole thing here:Gil Sansón wrote:Hey, I would love to hear that!
Had a good laugh with this/ Love Carla's cracked voice/ Boo to you too!J.F. wrote:I uploaded the whole thing here:Gil Sansón wrote:Hey, I would love to hear that!
http://ihatemusic.noquam.com/viewtopic. ... 67#p250867




there are a few, Tempo Commodo is the one I remember liking most, Nerve Beats is probably the easiest to find:rolandtravy wrote: Has he ever done a solo record of percussion?

In the 70s, he recorded a lot with "collective" ensembles... like Mengelberg/Bennink or Brötzmann/van Hove/Bennink. The first CD of Anderson/Bennink/Doran (early 90s) has moments of greatness i.m.o.. Not really under his own name, but neither under somebody else'srolandtravy wrote:The first three tracks are a dialogue between Bennink percussions and Terrie no-wave guitar....I'm searching for some records Bennink has done under his own name...tips? Has he ever done a solo record of percussion?
Thesis? Did you graduate in something related to music?J.F. wrote:I wrote my thesis on Bennink
Yes, let's say... as a younger bloke I found my way through academic procedures that were about jazz, drumming and teaching.rolandtravy wrote:Thesis? Did you graduate in something related to music?J.F. wrote:I wrote my thesis on Bennink





Really hope that description rings true for me because it reads amazing.cleanzero wrote:
Kukan Gendai - II
Sounds like a Japanese version of Storm & Stress
his new one is very good too - composed for an Ivan Perez ballet, mastered by Joe Panzner: https://machinefabriek.bandcamp.com/alb ... re-closingrolandtravy wrote:Thanks Jon for the discography, I really liked the photo too(this guy is really crazy).
If you like musique concrète/drone stuff this is worth checking I've never heard of this guy and found this in a local shop here in the city.
A score by Machinefabriek, for a choreography by Iván Pérez.
After making the music (with Aaron Martin) for his piece Hide And Seek, choreographer Iván Pérez asked me to score his work Attention: the Doors Are Closing! The piece was made for Ballet Moscow, as part of their collaboration with Korzo (The Hague), for the Rusland-Netherlands year 2013.
Before Ivan went to Russia to start working with the dancers, I made hours of raw material, mostly based on recordings of drums (which I found fitting with the concept of the piece). The last three weeks of the working process I joined Ivan in Moscow to work intensely on the music, while he was dealing with the finishing touches of the chreography. Each day the piece grew, and sound and movement got closer together.
Attention deals with human relations in all its aspects, and especially how these function in a Russian society. It's a very physical performance that draws from agression, humilation and intimacy in equal parts. The score enhances this, making it a very intense and at times intimidating work.
