Forthcoming releases of note

[piege]

The Bozzini String Quartet is apparently releasing a disc devoted to some works by the extremely brilliant and idiosyncratic Canadian composer Martin Arnold.
http://www.quatuorbozzini.ca/accueil.e/


Greg Davis recently released some of Arnold's stuff on Autumn Records.... And that stuff was fantastic... Highly HIGHLY recommended.


http://www.autumnrecords.net/

[diggedy d]

That Martin Arnold disc on Autumn is really nice. An odd and refreshing record.

[martin]

this has been cooking and will be out in February. You can pre-subscribe to it!!!

Burkhard Stangl: Hommage E Moi
(Echoraum Edition, 2011)

DVD + book + 3 cds

There will be three editions to it

One called Schuber which feature all package (a book w Stangl's writings about music (in german only) + 3 cds + bonus DVD (in this edition only)) ... price 70 Euros/ subscriber's price 50 Euros

The second just a book ... 30 Euros

The third just a 3 cds edition on Loewenhertz label ... 25 Euros

Featured music will be new Stangl's material + a much welcomed reissue of 'Ereignislose Music/Loose Music', that was for long time announce on Charhizma label.

link: http://www.echoraum.at/edition/neuersch.htm
subscribe: echo@echoraum.at

PS The informations on the link are dated, since the original plan was that this would be out in December 2010!!!

Anyone tried to pre-order this? I did, but no reaction whatsoever...

[Joda]

Saw this on the reductive music website, anyone know anything about it?

# upcoming {…} TAPE AS TAPE #
# TAT# 1 : Kevin Drumm: Live in Toronto (2000)

[javier4w]

Morton Feldman
Triadic Memories 2010 performed by Jean-Luc Fafchamps

In the summer of 1990, I released on Sub Rosa a recording of Triadic Memories by Morton Feldman (1926-1987). It was one of the first recordings of this long work for solo piano completed on July 23, 1981. The score I used had been published by Universal edition as number UE17326 in 1987. Shortly after my CD came out, Universal published a new edition. At the bottom of page 2, under a dedication to Aki Takahashi and Roger Woodward is a small-print mention: 'corrected edition: 14.2.1991.' I disregarded it for a long time. I had carefully read, annotated, analyzed, laboured over, performed live, and recorded my 1987 score. The work sounded great, the design of the edition was flawless, the composition was coherent from A to Z, and no erratum had been published. In my eyes, that score was the work. Many listeners said they liked my meditative album, and I was pretty proud of it. But there was something lingering in my mind... I went on to several other projects, and I considered the matter closed. However, much later, due to a few incomprehensible exterior signs, I decided to order a new score of Triadic Memories. I immediately noticed the 'corrected edition' mention. The score's layout looked exactly the same except for a tiny detail: starting on page 5, small digits start to appear above most of the repeat marks. These numbers, which were omitted in 'my' score, obviously indicate the number of times some passages should be played - not twice, but 3, 4, 5, 7, up to 11 times! This tiny notation detail has tremendous consequences on the form of the composition. Universal had not even cared to inform me of this issue. I was mortified. With incredible generosity, Sub Rosa offered me to produce a new recording of this work, exactly 20 years after the first one. So here it is. I did everything possible to tap into the spirit of the 1990 recording: same piano, same recording engineer, same working method, same approach to the keyboard. Now with the right score: my own 'corrected version.' The truth is, it's all different. To me, there is no possible 'corrected version.' The 1987-1991 edition was simply a different work, one that had not been completely drawn by its maker, and which presented different issues to its performer. -Jean-Luc Fafchamps.

[lukaz]

Big Can: Big Can
(Kwanyin Records, 2011)

Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xiao Qiang, Hong Qile, Gogo J, Olivier Heux, Tao Yi, and Junyuan. On April 14, 2009, when they were hanging out in Zhujiajiao, Shanghai, some of them made sounds in an abandoned oil tank and others did not. Recorded by Yan Jun in Zhujiajiao, Shanghai, China, April 14, 2009

http://www.subjam.org/archives/894#more-894

[presquepartout]

Big Can: Big Can
(Kwanyin Records, 2011)

Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xiao Qiang, Hong Qile, Gogo J, Olivier Heux, Tao Yi, and Junyuan. On April 14, 2009, when they were hanging out in Zhujiajiao, Shanghai, some of them made sounds in an abandoned oil tank and others did not. Recorded by Yan Jun in Zhujiajiao, Shanghai, China, April 14, 2009

http://www.subjam.org/archives/894#more-894

are any US distros carrying this?

[jon abbey]

I'm not planning on it.

Graham Lambkin's Kye is reissuing Moniek Darge-Sounds of Sacred Places on CD in the near future, which is her best work and a great record, very excited for that.

[lukaz]

Martine Altenburger/ Frédéric Blondy/ Bertrand Gauget: Vers l'île paresseuse
(Creative Sources, 2011)

[99vadim]

Zeitkratzer plays PRES (Polish Radio Experimental Studio)

http://boltrecords.pl/en_br_es03.html

Supposedly it was released back in December, but it has popped up only recently. Should be great, can't wait to give it a spin..

[bedouin]

Martine Altenburger/ Frédéric Blondy/ Bertrand Gauget: Vers l'île paresseuse
(Creative Sources, 2011)

there was a wonderful video clip of this trio on Blondy's website (http://www.fredericblondy.net/en/60videos.htm) which I still have on my hard disc. 8 minutes of sonic bliss. looking forward to this one. thanks.

[Jesse]

I wrote a positive review of John Russell and Martine Altenburger's duo release last year. She is w-a-y under the radar.

[Dan Warburton]

If anybody out there with a netlabel is interested in a trio recording of Martine, Fred Blondy and myself recorded back in 2000 (yikes), give me a shout. It was originally supposed to come out on Jon Morgan's Meniscus label about the same time as the other trio with Fred and Jean Sé Mariage, but Jon went AWOL and the imprint, despite its name, went under, and the record never came out and we all sort of forgot about it. But the recording's excellent (made at the Conservatoire in Paris), the thing's mastered, ready to roll and just sitting around on my hard disk. I remember I sent a CDR of it to Walter "Walto" Horn who liked it very much.

[frozen reeds]

That's one hell of an ugly cover.

[presquepartout]

Out now on Hibari


Nikos Veliotis/Klaus Filip - Slugabed

is anyone outside of japan carrying this? the samples sound great, but i'd rather not have to order through IMJ.

[jon abbey]

I am getting them very soon, just like all Hibari titles. blame Unami for the delay, not me.

[Yii]

a

[Daniel Jones]

I can't find an image to link to but I'm looking forward to the next Richard Kammerman instalment on JrF's Engraved Glass imprint... Can you let us in on any secrets Richard?

Also I want to get this:

Plastic Palace People Volume 1 by Jim O'Rourke and Christoph Heeman (Streamline)

[lukaz]

Ingar ZACH & Andreas MELAND: 'Music for Tinguely'
CD PRISMA RECORDS

Ingar Zach (b.1971) is one of Norway's leading percussionists and founder of the record label SOFA. He has recorded for the ECM and Rune Grammofon labels together with his bands Dans Les Arbres and Huntsville and has released several solo and duo records. Andreas Meland is a Norwegian sound artist and musician. He has recorded with the projects R¿yskatt, Norwegian Noize orchestra, düplo and Forell pluss several solo projects. He is also the founder of the experimental music festival Safe as Milk and the Melektronikk record label. Music for Tinguely consists of two pieces commissioned for the Jean Tinguely exhibition - The Future As We Know It - presented at the Henie Onstad Art Centre in 2009. Zach's piece Tinguely Solo was created for the opening ceremony of the exhibiton on April 16th 2009 by using a Gran Cassa, percussion, sruti box and drone commander mixed together with sounds from the Meta sculpture by Jean Tinguely. Andreas Meland`s piece The future as we remember it was performed at the centre on April 19th as part of a concert day together with the bands In the Country and Golden Serenades. All the source material for Meland`s piece was recorded on site in the Jean Tinguely exhibition.

[MRS]

Wow, so two new releases from Stephan Mathieu, it's been a while. Remain off Richard Chartier's Line and A Static Place off Taylor Deupree's 12k.